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Drama - Speaking and ListeningDrama is given a higher profile in the new National Curriculum and is included in AT1 as one of the four strands: speaking, listening, group discussion and interaction and drama activities. Much classroom drama, however, could include all the other strands since it will involve speaking, listening, discussing and interacting in small groups. The QCA have used the Arts Council Framework of making, performing and appraising in the arts to structure the statutory orders and from September 2000 schools will need to make clear provision for drama, timetabling drama and ensuring progression and continuity across and within the Keystages. The revised National Curriculum specifies the range and skills required and these are listed below: KEY STAGE 1Range The range of drama activities should include: a) working in role; Skills To participate in a range of drama activities, pupils should be taught to: a) use language and actions to convey situations, characters and emotions; KEY STAGE 2Range The range of drama activities should include: a) improvisation and working in role; Skills To participate in a wide range of drama activities and to evaluate their own and others' contributions, pupils should be taught to: a) create, adapt and sustain different roles, individually and in groups; Within the QCA's (1999) planning document Teaching Speaking and Listening in Key Stages 1 and 2 the three drama strands of making, performing and responding are allocated one to each term. This could ease planning but at all times improvisation is central, since much of the work will invariably be created not script led. Response may sometimes be to aspects of stage craft, characterisation in a TiE performance, or a short video extract, but most frequently this will be applied to children's own small group improvisations. The ability to create sustained drama investigations in alternative worlds, and to reflect upon and evaluate these worlds, will therefore become a critical skill in delivering the new National Curriculum. The QCA's document includes a non-statutory planning framework and identifies clear teaching objectives in drama. These are useful, but as with the National Literacy Strategy, the emphasis is on what is to be taught not how this can be developed. Teachers wishing to develop drama would however be well advised to examine the termly objectives, extracts from which are noted below: Year 1 - QCA: General teaching objectives - dramaTerm 1 Improvisation
Term 2 Performance and improvisation
Term 3 Responding to drama
Year 3 - QCA: General teaching objectives - dramaTerm 1 Writing and performance of drama
Term 2 Improvisation and role play
Term 3 Responding to drama
Year 5 - QCA: General teaching objectives - dramaTerm 1 Writing and performing drama
Term 2 Improvisation and role play
Term 3 Responding to drama
The new National Curriculum (2000) drama requirements represent several challenges to teachers: can time be found to teach and integrate the improvisational work in cross-curricular settings? Do they have the creative skills and subject knowledge to undertake this? Many teachers are already using drama conventions in the Literacy Hour, but the new National Curriculum demands much more than this and challenges teachers to embrace classroom drama and explore it both as an art form and a learning medium. If knowledge can be gained and confidence achieved, drama can be used as a positive learning method and teachers can utilise the conventions across all subjects to promote pupils' understanding. |
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